Pesce Khete

"Oldies but Goldies," the second exhibition by Pesce Khete at the COLLI, presents a compact corpus of recent works, mostly in horizontal format and consistently resolved within a given surface. In this series, the artist appears to depart from the usual progressive construction, by aggregation, of his large papers and instead favors closed forms. The signs that appear therein recover the vocabulary of his beginnings, reinterpreting it in the present light of paths, reflections, and investigations that have traversed his work in recent years.
From this variety of directions, imbued and traversed by the current historical moment, some drawings that constitute Khete's daily practice are accounted for, appearing here as punctuation or rhythm

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